Info

My work examines how contemporary experience is shaped by mediated images, technological systems, and regimes of attention. Working primarily with moving image and installation, I create situations that slow perception and limit choice, shifting the viewer from active consumption toward prolonged exposure. Rather than using images to represent reality, I approach them as forces that organize behavior, perception, and affect.

Technology in my practice is treated as a condition rather than a neutral tool. I draw on the visual and sonic languages of mass media, including screens, compression artifacts, and electronic sound, to explore the tension between immersion and disconnection. These elements are used not to evoke nostalgia or spectacle, but to expose how mediated experience increasingly replaces direct engagement.

Earlier photographic work focused on material decay and impermanence. This interest has since shifted toward examining how perception itself is structured and depleted within contemporary image systems, leaving the position of the viewer unresolved.